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Through a series of flashbacks, four young chinese women born in America and their respective mothers born in feudal China, explore their past.
Written by Robert Pare. It's surprising they managed to make a movie out of The Joy Luck Club, which was, after all, a series of anecdotes by 8 different people.
But somehow they did it, seamless weaving in and out of the characters' reminiscences. Joy Luck Club could reasonably be described as a chick flick - it is, after all, a film about a bunch of women and their feelings - but that would be a disservice.
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Rate This. The life histories of four Asian women and their daughters reflect and guide each other. Director: Wayne Wang.
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Edit Cast Cast overview, first billed only: Kieu Chinh Suyuan - The Mother Tsai Chin Lindo - The Mother France Nuyen June - The Daughter Tamlyn Tomita Waverly - The Daughter Lauren Tom Development of the project began when Wang approached Tan in at the time of the novel's release.
Concerned about the novel's complex storytelling and character development, they teamed up with Bass in January , who added a farewell party not in the original novel and voice-overs to compress the film's storytelling without changing the main plot.
Carolco Pictures initially supported the project until , when the filmmakers turned down the contract for not receiving the creative control that they demanded.
After the first draft was written between August and November , the filmmakers shifted to Hollywood Pictures in spring Principal photography took place in San Francisco, the novel and the film's main setting, in October and then in China in February ; filming ended in March The film was privately screened in sneak previews in spring and film festivals in August and September It received positive critical reaction but also criticism for its negative portrayal of Asian American male characters.
The members have mainly played mahjong and told each other's stories over the years. They emigrated from their native country, China, remarried, and gave birth to children in America.
Suyuan's daughter June Ming-Na Wen replaced her when Suyuan died four months before the time the film is set.
The mothers have high hopes for their daughters' successes, but the daughters struggle through "anxieties, feelings of inadequacy, and failures.
The film begins with June's prologue tale. In the prologue, a woman presumably Suyuan bought a swan in China from a market vendor who was selling it as "a duck that stretched its neck [to become] a goose.
When the immigration officials took it away from her, she plucked out only a swan feather instead while she struggled to grab the swan away.
For a long time, the woman had kept the feather, planning to give it to her daughter someday. Then the film transitions to June's farewell surprise party in San Francisco for her upcoming reunion with her long-lost twin sisters in China.
Among the guests are members of The Joy Luck Club, their daughters, other relatives, and friends. The following characters below narrate their journeys to the audience while they reflect upon their pasts.
Huang's Huang Tai Tai son when she grows up. When Lindo turns 15 Irene Ng , she left her family to get married to Huang's son, Tyan Hu William Gong , a prepubescent boy who has no interest in her.
She spent four years in a childless and loveless marriage, enduring Mrs. Huang's abuse for not producing her a grandson. Once Lindo eavesdropped on the servant girl Ping telling her lover that she is pregnant and saw him abandon her.
Lindo realized her chance to leave the marriage without dishonoring herself, her family, and her in-laws. Lindo purportedly ruined her clothes and then claimed that she had a nightmare in which Tyan Hu's ancestor threatened to punish her, Tyan Hu, and the matchmaker.
Lindo claimed that the ancestor impregnated the servant girl Ping with Tyan Hu's child, and he was offended by her marriage. Huang did not believe Lindo until she verified Ping's pregnancy through inspection.
Lindo claimed that the matchmaker intentionally and wrongly paired Lindo and Tyan Hu for money. Furious, Mrs. Huang ordered the matchmakers out of her family's life, allowed the servant girl to have her marriage, and eventually got the grandson she desired.
Lindo was able to leave the house and move to Shanghai. Aged between six and nine, Waverly Mai Vu has become a chess champion.
Annoyed by Lindo using her to "show off" to people on the streets, Waverly shouts at her mother and decides to quit chess.
When she tries to play it again, Waverly had lost her confidence, prompting her to retire from chess.
In order to make Lindo like Rich, Waverly brought him to a family dinner, but he failed to impress them especially by improperly using chopsticks and insulting Lindo's cooking by dousing the dish with soy sauce, humiliating Waverly.
Some time later, Lindo and the reluctant Waverly went to a hair salon to get their hair done for Waverly's upcoming wedding, where Waverly began her own narrative about her conflicts with her mother.
After Lindo's shampooing, when Waverly directed the stylist on how Lindo's hair needed to be done, Lindo was offended that her daughter was embarrassed by her in front of the future in-laws and became reluctant to attend the wedding.
Seeing that Lindo's decision devastated Waverly, Lindo then told her about one of her moments with her own mother.
When Waverly asked whether Lindo liked Rich, Lindo admitted that she liked Rich very much as her son-in-law and then gives Waverly and Rich her blessings, leading her and Waverly to reconcile.
Back at June's farewell party, Rich almost successfully uses chopsticks but accidentally drops a piece and impresses Lindo by trying to respect the Chinese table manners.
In China, Ying-Ying St. Then, Lin-Xiao begins abusing her and has multiple affairs while completely disassociating himself from her.
Overwhelmed by her depression, Ying-Ying begins to dissociate and accidentally drowns their baby son in the bathtub during one of these episodes, which haunts her afterwards.
Years later, she has emigrated to America and suffers from bouts of depression from the trauma as well as worrying her daughter Lena Lauren Tom will suffer as well.
Ying-Ying learns that Lena is uncomfortable with her financial arrangements with Harold. They split the costs of their life evenly with a list of things that they share, making their home life contentious.
Seeing that Lena is unhappy with her marriage, Ying-Ying reasserts herself by knocking over a table in the bedroom and causing a vase to fall from the table and break.
Hearing the sudden noise, Lena goes to her mother and admits her unhappiness. Ying-Ying tells Lena she should leave and not come back until Harold gives her what she wants.
Lena is hesitant but Ying-Ying comforts her and tells her that it's not too late to do so. She is reunited with her long-lost mother Vivian Wu , who was disowned by her family for her " dalliance " with a wealthy middle-aged man named Wu-Tsing Wu Tianming , who has three other wives, making An-Mei's mother the Fourth Wife shortly after her husband's death.
An Mei's mother also arrives to see her dying mother Lucille Soong. In order to not lose her again, An-Mei moves out with her mother to Wu-Tsing's house against her relatives' wishes for her to remain with them.
Moments later, An-Mei's mother destroys the necklace, which turns out to be made of glass. Later, An-Mei learns the truth of how her mother became a Fourth Wife: While her mother was at the temple mourning the death of her husband, the Second Wife met and befriended her, enticing her to meet Wu-Tsing who raped and impregnated her.
The mother's relatives refused to believe she had been raped and kicked her out of the house. With nowhere else to go, the mother reluctantly agreed to become Wu-Tsing's Fourth Wife.
After the mother gave birth to a boy, An-Mei's half-brother, the Second Wife took him, claiming him as her own. After telling An-Mei the truth about her situation, the mother commits suicide by eating "sticky sweet dumplings " laced with opium , choosing the day of her death carefully to threaten Wu-Tsing with the vengeance of her angry ghost.
Ted is initially attracted to Rose's assertive, forthright nature. When he confronts his aristocratic mother Diane Baker for insulting Rose due to her race, Rose is impressed and agrees to marry him.
Over the course of their marriage, however, Rose and Ted become distant from each other, mainly because Rose, desperate to prove herself to Ted's milieu, becomes submissive and demure at the cost of her own identity and interests.
They have a daughter, Jennifer, but this doesn't resolve their marital problems. To complicate matters more, Rose suspects that Ted has cheated on her with another woman, which he asserts is not the main reason for their problems.
Some time later, An-Mei comes for a visit and relays the story of her own mother's fate to Rose. She encourages Rose to stand up to Ted for herself and for Jennifer, or nothing will change.
To avoid the fate of An-Mei's mother, Rose reclaims her strength and confronts Ted face to face, telling him that he will leave the house and that he will not take their daughter away from her.
Rose then confides in him that she was wrong to consider her love for him as less worthy than his love for her, compelling Ted to take her seriously and stop taking her for granted.
At June's farewell party, Rose and Ted are seen briefly kissing and sharing a slice of cake, although their current marital status is not revealed onscreen.
When Suyuan became ill during her quest for refuge, her cart breaks down, causing the babies to fall. Near death, Suyuan was unable to carry the babies herself and abandoned them along with all of her other possessions, including a photo of herself.
Suyuan survived but was haunted by guilt over the loss of her daughters whose fates she does not know. After remarrying in America, Suyuan has high hopes for her new daughter June, but June constantly fails to meet her expectations out of a lack of interest.
She performs badly during a piano recital at age nine Melanie Chang , and when Suyuan pushes her to continue training to be a concert pianist, June refuses, hurting her mother deeply by saying she wishes she were dead like Suyuan's other daughters.
The story moves ahead to a dinner party a year before Suyuan's passing. June, now an adult, has been freelancing for her long-time rival Waverly.
During the dinner, Waverly rejects June's business proposals, prompting Suyuan to comment that June and Waverly are not alike in that style is something one cannot be taught but must be born with.
June understands her mother to say that Waverly has style while June does not and feels humiliated, believing that her mother has betrayed her being a failure in her mother's eyes.
The following day, June berates Suyuan for her remarks and admits she could never live up to her high expectations. June laments that Suyuan has always been disappointed in June because of her disappointing academic grades, her lack of a serious relationship, and her less-than-successful job.
However, Suyuan gives her the necklace that Suyuan has worn since June's birth, which Suyuan asserts can help guide June's heart as it has done hers.
Suyuan also assures June that she is the one who has the unteachable style , admitting that while Waverly has been the better of the two in competitions, June always has had the best heart, which is the reason Suyuan is so proud to have June as her daughter.
Since that day, June has worn the necklace her mother gave her. Last Easter before the farewell party, June received the news from the Club that the long-lost twins were alive.
When June couldn't understand the twins' letter written in Chinese , Lindo purportedly mistranslated the letter to make June believe that the twins knew about Suyuan's death and their long-lost half-sister June.
Back in the present, when the farewell party ends, Lindo confesses that she wrote letters to the twins and then signed Suyuan's name.
June begs Lindo to tell them the truth, but Lindo tells her that it is too late because the twin sisters are anticipating their mother, still believing that Suyuan is alive.
A short while later, June's father Chao-Li Chi retells the war story of Suyuan and her long-lost twin daughters.
Then he gives her the swan feather as described earlier in the prologue from Suyuan's swan, saying that the feather looks worthless but carries with it all of her mothers "good intentions.
In finally accepting her Chinese heritage, June is able to make peace with her deceased mother. When the novel The Joy Luck Club was released in , Wayne Wang approached Amy Tan, the novel's author, with the idea of adapting the novel that he admired into a film.
A lot of executives and producers are afraid of voiceovers because they say it distances the audience from the action.
I felt differently. It allowed you into the inner heart of the narrator [and] to understand their feelings in a way you could never do in dialogue.
Wayne Wang, Amy Tan, and Ronald Bass teamed up with the Ixtlan Corporation, including its staff members, Oliver Stone and Janet Yang, who was the company's vice president and had a profound interest in the project.
Stone and Wang reconciled their differences enabling them to work together and finally agreed to produce the film together  along with other producers.
Carolco Pictures initially agreed to support the project in spring , but the company had fiscal problems, and the filmmakers turned down the contract six months later in fall due to not receiving the level of creative control that they demanded.
Despite that she lacked filmmaking experience, "[Amy] Tan found the process not nearly as bad as she had feared. She was happy that collaborating meant discussions and that they were followed by time to write on her own.
The producers were surprised, but Yang felt in retrospect that Joy Luck "fits in with Disney's agenda—taking a chance on low-budget projects not dependent on star power".
She described Disney as being "less hands-on than usual" through not being familiar with the subject matter. In regards to casting, director Wang filled 50 speaking parts for female characters and ten parts for male characters.
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