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I put out a bunch of rap beats -- stuff that was made to be rapped on, and sent to rappers. I guess there was something about it that could stand on its own, and a lot of people knew that about my music before I did.
I remember not really thinking much of it. I mean, that was the only thing I really remember of it: making it and sending it out and not really thinking much of it.
I have felt stronger about a lot of other things that I made. I sent it to a couple of people before Lil B but he was the first one that had the reaction of like -- he freaked out about it and emailed me back.
He immediately knew it was a special one before I did. Do you remember where you first uploaded the song to?
It was probably just some kind of file sharing link, like Zippyshare or something. One of those random things that would pop up and then disappear.
And I would have put it out on Twitter through that. Did you know much about the legalities of clearing samples back then? Would it ever have occured to you to clear a sample in those days?
So at that time, legal stuff was the last thing on my mind. Clearing samples? I was just putting out music for free on MySpace and Twitter!
Nothing was commercially released, so it never crossed my mind. How did it feel to have made a song that was, by many metics, a huge success, but not actually get to reap the financial rewards of it?
I felt like I was just happy about what it was doing musically. I was like, I did a song with one of my favourite artists ever!
And then after that, people started to recognise me and my music and for what I felt were all the right reasons.
So fast forwarding to , how and why has the sample been cleared now? I guess just everybody getting on the same page. It was an on and off thing.
What actually got it across the line now? New Jersey On-Line. Pitchfork Media. The Guardian. Village Voice. Archived from the original on Retrieved November 27, Archived from the original on October 31, Retrieved February 13, The Nutley High School grad first began to tinker with beats as a teen, fooling around with basic keyboards and synthesizers, much simpler ones than the machines now scattered around his basement home studio.
Eventually, Columbia reaches out, and you sign a deal before releasing your debut 32 Levels. When did you first sign with Columbia and begin crafting the album?
I signed with Columbia around The idea came about because my music can be hard to place sometimes. I figured it was time for me to make an album of my own because then it would all make sense, and all fit on my terms.
How did you handle the transition from mostly using samples to working more with live instruments? It was good input and a lot more freedom than I expected.
Also, there were plenty of things I had released on my own that I thought were good enough, but Columbia would push me creatively to make stuff better.
How did the two-year break after Instrumentals 4 benefit the creation of Moon Trip Radio? From the outside, it might look like a break, but I never stopped working.
The experience is the biggest change, obviously. The only thing you can do is take things away from living. I feel that Moon Trip Radio is cohesive and a strong representation of my musical identity.
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The New York-based production duo is preparing for their biggest excursion yet. After years of independent grinding, the Florida rapper recently launched his own record label.
Oh, and Sprite is in his DMs. UK producer and Griselda regular Beat Butcha shares his nine keys for production success.
Best Of. Year of Mac.